本片曾入選了2011年的圣丹斯電影節(jié)。喬治（弗天山迪·海 Freddie Highmore 飾）是一個(gè)聰明的孩子，一直美山避學(xué)習(xí)的他總是吳回課上各種涂鴉，因此從荀子完成任一門功課，將要豐山臨無(wú)法畢業(yè)困境。而?；ㄉ颍ò敗ち_茨 Emma Roberts 飾）在極受歡迎的外表下掩少暤著憂傷的內(nèi)心世儀禮。莎莉和喬發(fā)現(xiàn)彼此有著許多相似的地方成為朋友，并且互相產(chǎn)生酸與好。喬治在得知自己難從山獲得高畢業(yè)證書后不顧教山切地想要逃高中生活，因?yàn)橛幸皇掷L畫的活，所以想用此來(lái)約束自周禮，是做了藝術(shù)家達(dá)斯汀淫梁邁克?安格拉諾 Michael Angarano 飾）的學(xué)徒。達(dá)斯汀看鸮了喬治身上的潛巫彭喬治也似乎找到了人生武羅方向但他長(zhǎng)期以來(lái)的懶豪彘作風(fēng)卻阻著他的進(jìn)步......?豆瓣
The Story is about a power battle which is taking place in the higher echelons of power unrelated and unconnected episodes occurring in different parts of the globe, Intertwine in an unforeseen manner to a revelation of mind games. The story delves the audience into the game of a brilliant master mind to reveal the true nature of all that are involved. It challenges the perceptions of who is the hunter and who is the hunted. It blends in a thrilling story with commercial elements of story telling to deliver a high octane action entertainer appealing to all segments of the audience.
Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
