一班自命不凡高人一等的狐狗友，相約星三晚舉行“白晚宴”。規(guī)則常簡單，即是人只須攜一名白癡之最”共晚餐，便能獲豐富獎(jiǎng)品。參者之一皮埃爾蒂埃里·萊爾特 Thierry Lhermitte飾）打算帶著新認(rèn)的皮儂（雅?維列雷 Jacques Villeret飾）赴宴。皮埃本以為這個(gè)看傻里傻氣的皮，一定是最佳選。然而他的意算盤卻完全空，皮儂把關(guān)顛倒了過來，而讓皮埃爾變了被整的對(duì)象于是，一場笑百出的烏龍事接踵發(fā)生。這由法蘭西斯·柏編劇執(zhí)導(dǎo)的劇電影《晚餐戲》，改編自寫于1993年的舞臺(tái)劇《假虛凰》。一波折的喜劇情節(jié)極具顛覆性的狂笑料，使得片叫好又叫座一舉拿下1999年第24屆凱撒獎(jiǎng)，最佳男員、最佳男配和最佳劇本(原創(chuàng)或改編)大獎(jiǎng)?
The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism. Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no promises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called "social conveniences" and not promising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat. "I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do "red Apples" true or less true. I did as I felt. "Alexander Tatos
