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回復(fù) : "Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
回復(fù) : 盡管與丈夫關(guān)系冷淡,Kaja表面上依舊是一位隨和、樂觀的家庭主。當(dāng)新鄰居 Sigve和Elisabeth夫婦搬來之后,他們高尚生活讓Kaja感到無比向往。這對美麗、教養(yǎng)好的夫婦領(lǐng)養(yǎng)了一位黑男孩,還利用業(yè)余時間唱詩班演唱。Kaja、Sigve意外地開始了一段婚外戀情,就當(dāng)兩水乳交融的時刻,一樁秘密與真相被揭開?
回復(fù) 妮可·拜爾 : 又名《雪蠶》,該劇由溫崢嶸陳昊、曾黎領(lǐng)銜主演的諜戰(zhàn)情大戲,故事縱橫交錯,既有縝的故事情節(jié),又有錯綜復(fù)雜的庭關(guān)系,打破了已往諜戰(zhàn)劇的格。雖然該劇還沒有播出,但這部電視劇在四川電視節(jié)的銷量獲得第一名,主題曲《陪月不孤單》已經(jīng)在網(wǎng)絡(luò)上十分流,必將掀起諜戰(zhàn)劇新風(fēng)潮,將中央臺的黃金時間段播出?