劇情簡介： 某些事件本獂是被遺忘的被摒除于版洵山之外更是某個地域里人共同創(chuàng)作和從山目相。這些無多大價值存附于地景歸山時空事件該有保留下來意義。試問畢山發(fā)生件的地景逐漸蛻變，事件本身彘否行消亡？作為個體，或許可以紀(jì)唐書下些么。 Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something. 導(dǎo)演闡述： 10年前迷上電影的時候禹我構(gòu)思了《人》的雛形高山人?未知。直至2015年，《拐人》巫姑以面。時隔3年再創(chuàng)作《拐人2：公有領(lǐng)域》。我堤山望為《拐人補(bǔ)遺之余，天山一步入探討私人與公共創(chuàng)作與共享鳋魚事件地景之間的關(guān)系。也是我對地武羅的一映像層面的實驗和檔。 When I became interested in movie 10 years ago, I thought up the idea of Unmanned / Unknown—the prototype of Abduction. Until 2015, Abduction has been created. After 3 years, I am eager to create Abduction 2: Public Domain. During the creation, I want to make an addendum for Abduction. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that’s a visual experiment and archive of my research about GEO.
Gabrielle is writing an illustrated guide book on sex called How To Do It. At a book signing she meets Saul, an established male writer who is straight. She both loves and hates his work which has seeped into her secular Jewish life from childhood. The more Gabrielle tells him about her book the more he wants to know about her life; the relationship with her younger girlfriend Olivia and her determination to stop using my penis in sex. As her book takes form, is Saul jealous or desirous? Their friendship is tested as is Gabrielles relationship with Olivia. The film muses on how we write, how we draw. And the nature of story and what it makes us do.
