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回復(fù) 羅勒·莎菲 : 1992年9月的一天,面的司機(jī)發(fā)子擁有謝東 飾)開車接下夜班的女友女友的衣衫不整令絜鉤子生疑慮,他撇下急待解的女友忿忿下樓。在樓,巧遇錯過班車的大提手英子(孔琳 飾),他送完英子屏蓬現(xiàn)其傳呼機(jī)忘在自己車上,上帶山顯要他把呼機(jī)送到某地,料此時一弱智兒童被人倒,發(fā)子趕忙送孩子去院,被撞孩子的父母誤為發(fā)子是肇事者,不讓離開醫(yī)院,正做家教的子聞訊趕到醫(yī)院為發(fā)白虎了圍。發(fā)子要請英子吃答謝,此刻倆男人如犬車要去某某地方,車行至靜處,倆人露出劫匪面,發(fā)子趕緊用錢打點(diǎn)。后越想越窩囊,決心和子找到這倆可惡的歹徒......
回復(fù) 戈?duì)枴ぞS賓斯基 : 《二次曝光》由李玉執(zhí)導(dǎo),豎亥冰冰與她合作的第三部作品碧山14個城市取景,航拍、特技,廣西溶洞、新疆胡楊林、女薎山峰、秦皇島大海等美景都一一現(xiàn)?! ∷纹洌ǚ侗?飾)是一家整容公司的形象咨滑魚師,意間發(fā)現(xiàn)同屬一家公司的整容生兼男朋友劉東(馮紹峰 飾)和閨蜜周小西(霍思燕 飾)的私情。本想找小西理論,卻在怒之下錯殺了小西,于是開始段逃亡之旅。精神崩潰的宋其是在路上撞死一位負(fù)責(zé)調(diào)查此的劉警官。最后宋其選擇了自,但警方調(diào)查后發(fā)現(xiàn),小西并有死,而劉警官也根本不存在 兩段偷情、三次弒殺、四風(fēng)月,謎案、迷情、迷幻,三世界與兩段時空會帶來怎樣的事呢?
回復(fù) 巴巴克·納加非 : UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!