劇情簡(jiǎn)介： 某些事件本是被遺忘的被摒除于版之外，更是個(gè)地域里人共同創(chuàng)作和目相傳。這無(wú)多大價(jià)值存附于地景時(shí)空的事件有保留下來(lái)意義。試問(wèn)發(fā)生事件的景逐漸蛻變，事件本身否行將消亡作為個(gè)體，或許可以紀(jì)下些什么。 Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something. 導(dǎo)演闡述： 10年前迷上電影的時(shí)候我構(gòu)思了《人》的雛形人?未知。直至2015年，《拐人》以面世。時(shí)3年再創(chuàng)作《拐人2：公有領(lǐng)域》。我望為《拐人補(bǔ)遺之余，一步深入探私人與公共創(chuàng)作與共享事件與地景間的關(guān)系。也是我對(duì)地的一種映像面的實(shí)驗(yàn)和檔。 When I became interested in movie 10 years ago, I thought up the idea of Unmanned / Unknown—the prototype of Abduction. Until 2015, Abduction has been created. After 3 years, I am eager to create Abduction 2: Public Domain. During the creation, I want to make an addendum for Abduction. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that’s a visual experiment and archive of my research about GEO.