1919年盲目的丈夫們 Blind Husbands在美國上映，超清盲目的丈夫們 Blind Husbands是一部精彩絕的愛情片。盲的丈夫們 Blind Husbands的主演薩姆·德·拉斯,埃里克·馮·施特羅海將整個故事演生動形象，使目的丈夫們 Blind Husbands引起了全球的愛者的關(guān)注。盲的丈夫們 Blind Husbands的劇情是Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version ? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.。
2019年二十世紀加拿大上，HD。二十世紀是部精彩絕的喜劇片二十世紀主演丹·爾尼,Sarianne Cormier,凱瑟琳·羅蘭,Mikha?l Ahooja將整個故事演得動形象，二十世紀起了全球愛好者的注。二十紀的劇情Toronto, 1899. At the dawn of a new century, ambitious young politician Mackenzie King (Beirne) dreams of becoming the Prime Minister of Canada. At the top of his class at the Dominion School of Nationhood, King’s prospects are good and his clairvoyant Mother (Negin) has already chosen his future wife, the Governor-General’s militant daughter, Lady Ruby Elliott (St-Laurent). But when King loses his bid for both leadership and the hand of Ruby to the heroic Bert Harper (Ahooja), his world is thrown into a chaos of maudlin outbursts and compulsive masturbation. Based upon the neurosis and confusions recorded in Mackenzie King’s diary, Matthew Rankin’s The Twentieth Century walks an ambiguous line between historical biopic and speculative fiction. Filmed in studio on 16mm in with animated sequences, it is at once an epic melodrama, a fulminating satire and a hallucinogenic fugue-state.?
