劇情簡(jiǎn)介
聚焦美國(guó)“暴徒時(shí)代”黑手頭目艾爾·卡彭。故事從這經(jīng)歷了十多年牢獄生涯、已47歲的黑手黨教父講起，此時(shí)的雙雙爾·卡彭飽受老年癡癥困擾?
何国魂
地區(qū)：烏干達(dá)
類型：傳記
時(shí)間：2025-06-11 11:03:50
馬丁·施萊爾
回復(fù) 斯特里奧斯·卡米蒂斯 : The documentary follows the main stages of Janis Joplin’s life, from her performance at Monterey Pop in 1967 to Woodstock in 1969 and Festival Express in 1970, including interviews with relatives, friends and rock stars of her time. The soundtrack features Janis Joplin’s hits, among which Cry Baby, Mercedes Benz and Piece of My Heart. Amy Berg shows the woman behind the myth, other than the rock&roll icon, unveils a gentle, innocent yet strong woman. Well known as rock icon, the personal story of Janis Joplin is very complex. Janis serves as a narrator, telling us her life through the letters she wrote to her friends, relatives and lovers, leading us in a journey that starts from her childhood.
西尾孔志
回復(fù) 吳勝旭 : Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
Valerie
回復(fù) 申宰豪 : 上下五千年的華夏文明史傳說(shuō)與典故閃爍其中。當(dāng)們真正走近這些看似熟悉歷史事件之時(shí)，卻發(fā)現(xiàn)每個(gè)故事似乎都籠罩在一層有似無(wú)的迷霧之中。我們要一種新的方式來(lái)重新講與解讀那些看似熟悉的歷事件與人物，為每一個(gè)當(dāng)中國(guó)人提供獨(dú)特的文化享。歷史，遠(yuǎn)比我們所想象要精彩?
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