冬天，蒂妲絲雲(yún)頓拜落腳於法國小山村四餘年的好友約翰伯格兩人漫步於靄靄白雪村莊、或深或淺地，小屋中聊起童年記憶歷史承接。春天，透凝視動物，經(jīng)歷一場類與動物關(guān)係的思辨夏天，於山村中和三藝術(shù)家漫談當代政治佐以舊時影片、音樂探索藝術(shù)如何述說政。秋天，蒂妲再度帶孩子拜訪約翰以及約之子，在視野遼闊的村生活中，發(fā)現(xiàn)傳承意念存在於所觀看的一片風景。四部短片徵四季的更迭，而山的風景、動物、生活是年復一年的循環(huán)，現(xiàn)約翰口中「無窮延的此時此刻」。他的想及人生觀與古老的舍、青翠的綠地、放的牛群相呼相應(yīng)，說這個世界周遭人物景的故事，阿爾卑斯山的小村莊，則是最迷的舞臺。（以上來自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html