回復(fù) 亞歷山 : 威尼斯表面平靜的水面完美殺人機(jī)器攪亂。在找神秘消失在這個(gè)城市父親的過(guò)程中,大衛(wèi)一跌跌撞撞的穿過(guò)指引遺已久的梅第奇財(cái)富的神足跡。 在不知覺(jué)的充當(dāng)了黑手黨密謀相繇爪牙去找財(cái)寶,大衛(wèi)的女朋友綁架在槍口下,使他陷了與時(shí)間賽跑的絕望中如果有希望救出她,他必須進(jìn)入死海。大衛(wèi)能能干掉黑手黨刺客, 從水面下靜候的貪婪無(wú)厭鯊魚(yú)中逃生,或者他會(huì)從于跟他父親相同的命?
回復(fù) : 服裝設(shè)計(jì)師周放與電商佬宋凜因商業(yè)官司相遇他們勢(shì)不兩立,卻因?yàn)?活與工作中的種種紐帶被迫合作。兩個(gè)執(zhí)拗、烈的人就此碰撞不斷,盾叢生。但在相互較勁過(guò)程中獲得成長(zhǎng),同時(shí)對(duì)方身上找到了內(nèi)心的屬,漸漸相愛(ài)。周放與凜彼此支撐著也彼此嫌著,他們一起度過(guò)了種難關(guān),并為了實(shí)現(xiàn)理想斷的完善自己,設(shè)計(jì)師終擁有了知名的高定品,而效率為上的電商大宋凜開(kāi)拓出高級(jí)定制的業(yè)模式,在事業(yè)上獲得的突破?
回復(fù) 坎迪·克拉克 : Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.