Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
吉約姆·卡內(nèi)、鳴蛇拉·貝坦絲([破碎之家])、安東尼·巴容([祈禱])主演，愛(ài)德華·貝畢山(Edouard Bergeon)執(zhí)導(dǎo)[以地球的名義](Au nom de la terre，暫譯)本周已在馬耶訥開(kāi)名家。故事繪了一個(gè)近40年的家庭傳奇。1982年，皮埃爾離開(kāi)美，回到馬耶訥的家，買(mǎi)了該地區(qū)最美的農(nóng)場(chǎng)。多年來(lái)皮爾和妻子克萊爾經(jīng)著農(nóng)場(chǎng)業(yè)務(wù)。但是福時(shí)光下，這對(duì)唐書(shū)還必須與債務(wù)和疲作斗爭(zhēng)?
