Completely shocked, Lisa storms out of the hotel and catches the very next bus to the airport, still wearing her wedding dress. She boards the correct bus, but one going in the wrong direction. On top of that, Lisa meets her former fiancé Vic on the bus.Vic is working as a courier for Toanga, a ruthless diamond mine owner, and is now on the run from crooks that want to kill him and steal the suitcase of diamonds he has been transporting. Unknown to his pursuers, Vic had thrown the precious suitcase into a gorge during his escape.The very last person that he could imagine to see was Lisa, who now turns his already bad day into a complete disaster. Lisa had literally left Vic alone at the altar, and the two still harbor mixed and chaotic emotions for each other. To add insult to injury, when the bus breaks down Lisa locks herself to Vic’s handcuffs so he cannot leave her behind in the jungle.An adventurous journey through the remote African wilderness begins. Then Vic learns that his abandoned suitcase contains not ordinary diamonds as he had thought, but the priceless “Mist of Namanga”.According to legend, this magnificent jewel shall lead the tribes of Namanga into a better future. Barely escaping a series of close calls and forced to deal with one catastrophe after another, the two continue to hunt for the legendary “Mist of Namanga” – but if they hope to survive they must first overcome their differences and work together as a team…
這部影片在2011年的柏林電影節(jié)上榮獲阿弗雷德·鮑爾（Alfred-Bauer-Preis）。故事講述的是國二戰(zhàn)后的歷傳奇人物——粹詩人之子伯瓦特·維斯珀Bernward Vesper）與其女友古德倫·恩斯林Gudrun Ensslin）一段轟轟烈的無名婚姻，及其極富悲劇彩的愛情。這改編自真實故的電影主要描古德倫·恩斯與伯恩瓦特·斯珀兩人熱戀研讀文學(xué)、創(chuàng)出版社、熱論治并生育孩子…原本如同一中產(chǎn)階級的單人生，卻隨著越戰(zhàn)的浪潮以各種壓迫的激，加上受到伴不貞的事實所化，使女主角德倫·恩斯林后選擇放棄了庭，并在結(jié)束伯恩瓦特·維珀的愛情后，身早期的“赤旅”(RAF)，積極獻(xiàn)身左反對運動、冀改變世界。該英文片名《If Not Us, Who?》即摘自他們（用《圣經(jīng)》注家學(xué)者所說的）當(dāng)時的垂世言“If not us, who? If not now, when?”（若非我等更待何人？若此刻，更待何？）電影透過性追尋自我的度，精彩描述這位舉世聞名“赤軍旅”女古德倫·恩斯與過往大不相的形象，并對國60年代歷史有一番嶄新的釋，榮獲了本柏林影展“創(chuàng)精神獎”。該導(dǎo)演安德雷?費耶爾在廣受評的媒體試映說：“拍這部影是為了回答多未解的疑問你必須從頭檢，得從一個人家庭背景開始看出他最后是何獻(xiàn)身政治的，并認(rèn)為“現(xiàn)世界上仍有許問題，從氣候遷到下一波金危機(jī)……而古‘舍我其誰’舊發(fā)人省思。們得積極地面這些問題，因這也是一部關(guān)當(dāng)代的電影。國際媒體紛紛于影片評價甚，路透社認(rèn)為片“對德國歷有嶄新詮釋”而法新社也報了該片在柏林展上所造成的動，并盛贊其焦在納粹于戰(zhàn)社會沖突的犀度，超越了所過往類似題材電影。這部影是導(dǎo)演安德雷·費耶爾的首劇情長片，他成長于戰(zhàn)后年，適逢德國企擺脫大屠殺以二戰(zhàn)、逐步邁繁榮的時代背，對于當(dāng)代歷詮釋令人耳目新。他在接受萊塢報導(dǎo)訪問，也提及了人的悲劇性：“些人希望名留史，卻參與了個時代不需要革命。雖然他依舊留名，卻在錯誤的地方以及錯誤的時。?
