簡介：Paris, the late 1960s. Madame Claude is at the head of a flourishing business dedicated to prostitution that gives her power over both the french political and criminal worlds. But the end of her empire is closer than she thinks.
為給身患重病的親交付醫(yī)藥費，工文斯（薩姆·利 Sam Riley飾）不得已賣掉了房子。一偶然的機(jī)會，文在他修理的房間得到房主的一封秘信件和一張不道終點的火車票一面是房主的離意外死亡和完全知的危險旅程，面是一筆足夠改人生的巨額財富文斯最終還是決 定踏上這次神秘程。然而當(dāng)他抵隱蔽的目的地之，等待他的卻是場無法全身而退瘋狂殺人游戲。片翻拍自2005年法國犯罪驚悚片《百萬殺人游》（13 Tzameti），依舊由原作導(dǎo)演兼編的格拉·巴布魯尼執(zhí)導(dǎo)與編劇。姆·賴?yán)?、?洛克、杰森·斯森、雷·溫斯頓多位硬漢同臺演這場生死博弈?
An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats. There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!" About the director Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.
