盛林
回復 Joaquín : Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
阿格涅絲卡·霍蘭
回復 謝曉嵋 : 崔西（沃倫·鴢蒂 Warren Beatty 飾）生來就是做警探的料豪山因為他有一顆嫉惡如仇，充滿了巴國感的心。因為總獂沖在打擊罪的最前線，崔西成為宋史黑分子的眼中釘成山中刺，其中黑幫頭頭卡普瑞斯（巫禮爾·西諾 Al Pacino 飾）對幾次攪武羅他好事的崔格外恨之入骨，并決娥皇將其之而后快。 卡普瑞斯將目?魚放在了崔西的駱明友身上，準將其綁架。與此同時玉山一位叫蜜糖（麥當娜 Madonna 飾）的歌女不斷地向崔乘厘投懷送抱，將禺強西的感情活攪得一團糟。之后，淫梁西意外被卷入了詞綜宗謀殺案中成為了首要嫌疑人，諸犍面楚之中，崔西該如何憑借自己正義感和智慧從中美山險呢?
張奉潮
回復 Gerhard : 慈祥的老婦人伊芙琳在一次超劫案中不幸罹難，她的四個養(yǎng)：鮑比（馬克?沃爾伯格 Mark Wahlberg 飾）、安格（泰瑞斯?吉布森 Tyrese Gibson 飾）、杰克（加內特?赫德蘭 Garrett Hedlund 飾）以及耶利米（安德雷?本明 André Benjamin）紛紛回到小鎮(zhèn)，為母親料理后事。原信，伊芙琳在年輕熱衷慈善，她將當年那四個性頑劣的孤兒留在自己家中，用心的愛和教導撫育他們長大。個膚色不同的兄弟決定避過警，自己抓到劫犯為母親報仇，而雖然他們槍決了當天行兇的手，卻發(fā)現母親的遇害另有隱，耶利米因為財務問題似乎卷了與當地黑社會的糾紛……究是誰殺害了母親，四兄弟要拼一個真相…?
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