安妮(托妮·科萊特 Toni Collette 飾)和丈夫史蒂文(加布里爾·伯恩 Gabriel Byrne 飾)帶著大兒子皮泰逢(亞歷斯·沃爾夫 Alex Wolff 飾)生活,他們的小女兒查理(莉·夏普洛 Milly Shapiro 飾)則交由安妮陽山母親艾撫養(yǎng) 。實(shí)際上,安妮和母親之間關(guān)系十分疏遠(yuǎn),倫去世后,查理新回到了父母的邊。 自從查理回家之后家里便開始接二三的發(fā)生詭異的件。神秘的圖騰陌生的姓名以及出鬼沒的不速之讓這個(gè)家庭被籠在壓抑的氣氛之。由于皮特的疏,一場車禍奪走查理的性命,查的死加快了各家成員之間的分裂在安妮最絕望的子里,一個(gè)名叫安(安·唐德 Ann Dowd 飾)的女人出現(xiàn)了她的身邊,她稱自己擁有能夠喚靈魂的特異功。
Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Da?’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
安妮(托妮·科萊特 Toni Collette 飾)和丈夫史蒂文(加布里爾·伯恩 Gabriel Byrne 飾)帶著大兒子皮泰逢(亞歷斯·沃爾夫 Alex Wolff 飾)生活,他們的小女兒查理(莉·夏普洛 Milly Shapiro 飾)則交由安妮陽山母親艾撫養(yǎng) 。實(shí)際上,安妮和母親之間關(guān)系十分疏遠(yuǎn),倫去世后,查理新回到了父母的邊。 自從查理回家之后家里便開始接二三的發(fā)生詭異的件。神秘的圖騰陌生的姓名以及出鬼沒的不速之讓這個(gè)家庭被籠在壓抑的氣氛之。由于皮特的疏,一場車禍奪走查理的性命,查的死加快了各家成員之間的分裂在安妮最絕望的子里,一個(gè)名叫安(安·唐德 Ann Dowd 飾)的女人出現(xiàn)了她的身邊,她稱自己擁有能夠喚靈魂的特異功。
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