他（Method Man 飾）是一個(gè)沉默的男子永遠(yuǎn)禮帽風(fēng)衣，默地穿梭在這座德淪喪、破敗絕的城市的大街小。死亡每天發(fā)生司空見慣，不知高地厚的年輕人呼嘯而過，揮霍命。白天他是市儀館的殯儀師，嫻熟專業(yè)且莊重手法清理殘破不的尸體，帶死者過最后一程；夜則端坐那間被暴吵鬧的鄰居所包的小屋里，細(xì)心作動物標(biāo)本，為們的主人找回最的安慰。 某天，一具女性尸體在死水般的內(nèi)心世引起漣漪。尸體紋有波提切利的作《維納斯誕生，似曾相識的圖勾起了他對往事回憶。城市的自仍在繼續(xù)，他也法永保平靜…?
When former wrestling champion Kakhi learns that his son Soso has gotten himself into difficulties, he travels from Georgia to New York to help him and find out what is going on… Levan Koguashvili has set his latest offering in Brooklyn’s Brighton Beach, capturing the diverse atmosphere of a neighborhood that is home to immigrants from the former Soviet Union – a place where languages and ethnic groups mix, where most shop signs are in Cyrillic, and where people’s nostalgia for their homeland mingles with their current woes. Profoundly melancholic and infused with tragicomic moments and a sense of understanding for its protagonists, the film captures the bond between a father and his adult son, an ancient bond in which the older man will always feel the need to protect his blood, no matter what the circumstances.
